Tuesday, June 16, 2015

A Portable Likeness: Selected Portrait Miniatures and Their Literary Context

The Martha Blakeney Hodges Special Collections and University Archives is pleased to announce a new exhibit in the Hodges Reading Room. A Portable Likeness: Selected Portrait Miniatures and Their Literary Context, features selected portrait miniatures, both in the portable form as well as in a literary context.

Portrait miniatures emerged from the pages of manuscripts and appeared in portable form during the early 16th century. They were originally painted on vellum, card, wood, or copper and were considered a luxury item, often framed in precious metals or jewels. The images were painted with watercolors, oils, and enamels. Ivory became a more popular surface for artists around 1700, but portraits continued to appear on paper and card as well.

The earliest miniatures depicted royalty and were given as signs of favor and patronage. The late 16th century saw loyal, wealthy subjects wearing the images of Queen Elizabeth I of England as a sign of fidelity. Attempting to imitate the royals, members of the nobility began to commission miniature portraits to commemorate births, marriages, deaths, or the long departure of a loved one. By the 18th century, they were widely available to the rising middle class. These portable items were owned and carried by men and women alike, often on rings, in lockets and cases, on chains, and
incorporated into pins, necklaces, bracelets, and hair pieces.  Larger images were often displayed in a cabinet or “treasure room.”  While portrait miniatures usually show only the upper torso of the sitter, hairstyles, hats, and jewelry are often prominently featured and can help date paintings that have no provenance.

This exhibit will be featured in the Hodges Reading Room from May 12 until August 28. The Reading Room is open from 9 a.m. until 5 p.m., Monday through Friday

Monday, June 15, 2015

New Exhibit in EUC Connector

A new exhibit in the EUC connector focuses on the university's dual personality. Namely, Minerva and the Spartan.
The two part exhibit explains the origins of our patron goddess, Minerva, and how she grew to become the symbol of the university. You'll also find out why the Spartan was picked as the mascot for our athletic teams (a hint-it happened after we became co-educational!), while showing some of the changes the mascot has undergone through the years. The exhibit will be up through August 30th and we hope it helps with any confusion our SOAR students may be having in reconciling UNCG's split personalities.

Tuesday, June 9, 2015

Dust Jackets to Die For

Stories of murder, suspense, and horror fill the shelves of the American Women’s Detective Fiction Collection in the Martha Blakeney Special Collections & University Archives. It is the dust jacket artists’ struggle to convey the authors’ foreboding tales of intrigue and vengeance in book covers enticing to potential readers. Sometimes, these attempts fall short of their intended purpose. From ice skating skeletons to murder by baking soda, this exhibit features the best of the worst dust jacket art of the collection. The exhibit can be found in the displays next to the the Jackson Library reference desk from June 8th to September 1st.

Monday, June 1, 2015

Darlinettes on NPR's Weekend Edition Saturday

On Saturday, May 30, NPR listeners around the country were treated to a story about the Darlinettes, a big band composed of students from Woman's College (now UNCG) in the 1940s and early 1950s. The piece aired as part of NPR's Weekend Edition Saturday. WFDD's David Ford used resources in University Archives (as well as interviews with Darlinettes members and Steve Haines of UNCG's Jazz Studies Program) to discuss the issues the Darlinettes faced as an all-woman jazz band during the 1940s and 1950s.

You can listen to the NPR piece online at http://www.npr.org/2015/05/30/410531268/a-band-of-their-own. The site also includes some photographs and a link to a recording of the Darlinettes' original song "You Don't Get it from Books."

You can learn even more about the Darlinettes in this Spartan Stories blog post from September 2014: http://uncghistory.blogspot.com/2014/09/darlinettes-and-rhythmettes-big-band.html.

Friday, May 29, 2015

New Exhibit on the History of Physical Education and Athletics at UNCG

A new exhibit in Jackson Library explores the history of physical education and athletics at UNCG, from the 1890s until today. Gym suits from the 1900s, 1930s, and 1950s; photographs of intramural and intercollegiate athletics teams; and much more are on display in the exhibit cases across from the Jackson Library Reference Desk.

The exhibit will be available for viewing until the end of June 2015. To learn more about these topics and the associated resources available in SCUA, please see our research guides on physical education and athletics.

Thursday, May 21, 2015

University Archives Completes Grant to Enhance Oral History Interview Access

University Archives recently completed work on a grant-funded project to provide enhanced access to many of our oral history interviews with African American students who attended Woman's College/UNCG in the 1960s. These oral history interviews, which are part of SCUA's African American Institutional Memory Project, were previously available online only as a PDF transcription. Even with this somewhat limited access, the interviews were frequently used by undergraduate students and others seeking to gain information on the personal experiences of students during this time.

This project, which was supported by the University Libraries' Innovation and Enrichment Grant Program, allowed us to augment access to a total of 27 of our oral history interviews -- two more than the initially-proposed 25. Using the Oral History Metadata Synchronizer (OHMS), developed by the Louie B. Nunn Center for Oral History at the University of Kentucky Libraries, we indexed the interviews and created time syncs that make it easier to search and move between the written transcription and specific points in the audio recordings. We also established a workflow that will incorporate indexing and syncing via OHMS into the workflow for future University Archives' oral history projects.

For the first time, direct access to the audio recordings of these valuable interviews is available online. You can browse and listen to these enhanced interviews through the Libraries' digital collections portal.

Questions about the project may be directed to University Archivist Erin Lawrimore.

Thursday, May 14, 2015

Douglas B. Moore Joins the Cellists Represented in the UNCG Cello Music Collection

The Martha Blakeney Hodges Special Collections & University Archives is pleased to announce the donation of the collection of Douglas B. Moore to the UNCG Cello Music Collection. Douglas Moore was Professor of Music at Williams College from 1970 to 2007, and cellist with the Williams Chamber Players and the Williams Trio.  His Bachelor of Music degree in cello is from Indiana University, where he studied with Fritz Magg and János Starker, and his Masters and DMA degrees are from The Catholic University of America in Washington DC.

Moore has performed at the National Gallery of Art in Washington DC, and at the Great Music West (Utah), Saratoga Baroque, Music Mountain, and Newport music festivals. He has been an artist/faculty member at the Manchester (VT) Music Festival (1998-2008) and Kansas City Cello Clinic. He has been principal cellist with the Great Music West Festival Orchestra in Utah, the Albany (NY) Symphony, Berkshire Symphony at Williams College and the Lake George Opera Festival orchestra. From 1991 the 1995 he was a member of the Saratoga Chamber Players, based in Saratoga Springs NY. He has also conducted cello orchestras at cello congresses, cello camps and universities, and given frequent master classes.

In 1976, Moore played the world premiere performance of the Cello Sonata, Op. 78 by Arthur Foote. His edition of the complete music for cello and piano by Foote was published in 1982 by A-R Editions on the Recent Researches in American Music series. The first modern-day performance of Foote's Cello Concerto took place in 1981 with Douglas Moore as soloist. Since then, he has performed the work with orchestras in Connecticut, Minnesota, Virginia, Massachusetts, Vermont, Illinois and Iowa. He has recorded music by Foote, Farwell, Cadman, Arensky, Rachmaninov, and Kechley on the Musical Heritage Society, Grand Prix and Liscio labels.

Moore has published over forty original arrangements through his publishing company, PlayMooreCello, including Sousa’s Stars and Stripes Forever and Rossini’s Barber of Seville Overture. His arrangements have been recorded by Yo-Yo Ma, the Saito Cello Ensemble of Japan and the Boston Cello Quartet. Additionally, Moore has published nearly 3 dozen modern editions of late 18th and early 19th century duos for violin and cello, most of which have never appeared since their first publication.

The Cello Music Collection of the Special Collections and University Archives contains sheet music (manuscript and published), monographs, serials, audio-video recordings, personal papers, and artifacts associated with cellists noted for their distinguished contributions in the areas of composition, performance, pedagogy, and research. Douglas Moore is the twelfth cellist represented within the UNCG Cello Music Collection. Consisting of the archival music collections of Luigi Silva, Elizabeth Cowling, Rudolf Matz, Maurice Eisenberg, János Scholz, Fritz Magg, Bernard Greenhouse, Laszlo Varga, Lev Aronson, Lubomir Georgiev, Marion Davies, and Douglas Moore, the Cello Music Collection at The University of North Carolina at Greensboro constitutes the largest single holding of cello music-related material worldwide.